Happy Horse 1.0 camera movement example: city tracking

Create a 10-second cinematic video in 16:9. A realistic tiny man, only 10 centimeters tall, walks through a busy city sidewalk at ground level during a rainy morning rush hour. He looks like a real adult man in his late 30s, slightly tired, messy dark hair, light stubble, wearing a dark blue jacket, gray trousers, and small black shoes. He is not cartoonish. He is a real miniature human. The camera is extremely low, at his height, tracking backward in front of him as he struggles to walk across the wet pavement. The world around him feels enormous: giant shoes, trouser legs, umbrellas, rolling coffee cups, puddles, reflections, shopping bags, and city noise. Pedestrians are normal-sized adults walking fast above and around him. They mostly do not notice him. He walks as if being tiny is annoyingly normal for him, like he simply woke up on the wrong side of the bed. He is nervous, irritated, and slightly panicked, but also trying to stay composed. He looks up at the huge pedestrians and waves his arms, trying to get their attention. Action beats: 0–3s: The tiny man walks carefully between giant shoes on the wet sidewalk. A huge sneaker lands close to him and splashes water beside his face. 3–6s: He dodges a rolling paper coffee cup, stumbles, regains balance, and looks up angrily at a passerby. 6–8s: He raises both hands and shouts upward, trying not to be stepped on. 8–10s: A giant shoe stops just inches in front of him. He freezes, looks up, breathes hard, then keeps walking with annoyed determination. Dialogue: The tiny man says in English, breathless and irritated: “Hey! Watch it! I’m walking here!” Then, after almost being stepped on, he mutters: “Great. Perfect morning.” Audio: Use natural city ambience, footsteps, rain on pavement, distant traffic, soft crowd noise, splashing water, and a small voice that sounds realistic but tiny. Dialogue must be clear and synchronized with his mouth. Visual style: Realistic scale contrast, cinematic macro perspective, shallow depth of field, wet pavement reflections, natural human motion, believable miniature human body movement, subtle handheld camera, playful tension, premium short-film look. Important: Make the tiny man look like a real human, not a toy, not a child, not a cartoon character. Keep him visually consistent throughout the whole clip. Show his fear and irritation through facial expressions and body language. The scene should feel funny but realistic.